Peridot pendant – Argentium silver waves
The peridot is a .75 carat brilliant cut, natural peridot. The pendant is solid Argentium silver with an antique finish applied.
The pendant length is 4.4 cm and the width is 1.8 cm
– the pendants weight is 5.0 grams.
WATER * I Change * FLOWING FORMLESSNESS – Transformative – Playful – Balance – Passionate
All of our jewellery is solid Argentium silver – the antique (black) finish is applied to the Argentium and is permanent – and you never have to polish it.
This pendant comes with the 2mm sterling silver, bead chain shown in the photo – it is an 18″chain. and I have applied the same finish to the chain so it matches the pendant.
Argentium Silver is a high quality silver with a silver content of 940. Â It has the unique feature of having a small amount of Germanium added. Â Argentium Silver is whiter, harder and slower to tarnish. Â And it is always nickel-free.
For the ‘waves’ design (in the Water Design group) I start by imprinting Argentium silver sheet with sand – for a nice beach texture. Then cut the shape I want from the sheet of silver.
Next, with the softest torch, I roll the edges of the sand-textured silver. I carefully and gently melt the edge, just until the silver begins to ‘roll’.
Once I have the soft edges done, I lay out silver waves and granules, to mimic the water and pebbles of a beach shore, and then fuse them permanently in place.
I then make a bezel wall to exactly fit the gemstone. This is soldered to the base plate. And I attach a bail for the pendant to hang on a chain.
With one final check, I make sure the shape is perfect, and I polish out any scratches or marks from the work process. Then I tumble for work hardening and polishing.
Argentium silver has one extra step. It must be heated. This brings the Germanium to the surface to protect the silver – slowing down tarnish and creating a very white, scratch resistant surface.
The Argentium silver has been textured, cut to shape, edges rolled, waves and granules fused on, bezel attached, bail soldered on, polished, work hardened and baked.
Now the silver is ready for the gemstone to be set. To set this stone I make sure the bezel walls are exactly the right height, then I carefully bend the silver over the stones edge. Bezel settings are the most secure and protective way to set a gemstone.
A final polish to smooth out the bezel edge and make the silver ‘mirror finish’ shiny. Now I can apply an antique finish to the entire pendant – and then I polish the top edges back to shiny to contrast with the darker base.
And the pendant is ready to be enjoyed for years to come.
